The Japanese Film Festival (JFF) is one of the oldest country-based film festivals in Singapore, having started in 1983. It is a gateway for many into the wondrous world of Japanese cinema and culture.


JFF aims to showcase the best of Japanese contemporary and classic cinema. The festival is curated in hopes that film will bring about more awareness of and raise interest in Japanese culture in its many diverse manifestations. This year’s festival welcomes a diverse line-up that showcases uniquely charming, powerful, unsettling and intimate stories of human relationships and lived experiences.


This year, we are celebrating the 40th anniversary of Japanese Film Festival in Singapore, and the 50th Year of ASEAN-Japan Friendship and Cooperation!


Let's celebrate together. See you there!

H.E. AMBASSADOR HIROSHI ISHIKAWA

Ambassador of Japan to Singapore


I am thrilled to welcome everyone once again to our annual Japanese Film Festival in Singapore. The year 2023 is especially unique and a year of “double happiness” for us. First and foremost, we celebrate 40 years of our unwavering commitment to the Festival, the largest event fully dedicated to Japanese cinema in Singapore. Secondly, we commemorate 50 years of friendship and cooperation between Japan and ASEAN, in which our festival is honoured to have played a crucial role in it.


 It is amazing to see how the festival has evolved and flourished over the years, going from only a handful of films at one venue in 1983 to this year's line-up of various films in a variety of genres, from comedy to horror, contemporary releases to timeless classics, across multiple venues. Besides that, we have broadened our scope to include celebrating Japanese film and inspiring and nurturing the next generation of filmmakers. Examples include holding pre-festival programmers’ talks, masterclasses by filmmaker from the Japanese film industry, and a short film competition that incorporates Japanese culture. These would not have been possible without continued support of Singaporeans and their growing affection for Japanese cinema and culture over the decades. I would like to take this opportunity to express my sincere gratitude to everyone for their consistent support to our festival throughout the years.


This festival has been a member of the Japanese Film Festival Asia Pacific Gateway Initiative since 2016, together with similar festivals in ASEAN and other countries. The JFF Initiative provides opportunities for people to gather offline and online and to deepen the bonds among Japanese film fans in the region. Our festival plays an important role in bridging such cultural exchanges between Japan and ASEAN in the field of cinema, making this year’s 50th commemorative year of ASEAN-Japan relations especially meaningful.


 Once again, we are privileged to partner with the Singapore Film Society and the Japan Foundation in organising this festival. I am confident that this year’s programme line-up will be more engaging and exciting than ever before, especially for fans of Japanese films and culture. Through our festival, I hope that our friends in Singapore will continue to have a deeper awareness and interest in Japan and Japanese culture. May their enthusiasm for Japanese films grow during the festival and beyond.


Thank you, and please sit back and enjoy.

KENNETH TAN

Chairman of Singapore Film Society


Forty years is a long time. 


The only thing in my life that I’ve had or done for a longer period than that, is serving in the Singapore Film Society, which I joined in 1982.


One year after that, in 1983, I worked on the very first Japanese Film Festival in Singapore, with the Embassy of Japan. This inaugural JFF was part of a series of events in conjunction with the official visit of the then Prime Minister of Japan, Mr Yasuhiro Nakasone. 


In the years that followed, my team and I have worked with successive cohorts of Ambassadors, deputies, secondees from other ministries in Japan, and, from 2009 onwards with the establishment of the Japan Creative Centre, also with JCC colleagues. 


The exposure and learning journey that my JFF work has blessed me to embrace has had such a profound impact on my life that I chose to spend an entire month in Tokyo for my first overseas experience on an international staff exchange program. And inspired me to visit Japan more times than any other country outside Singapore. To date, I have done a total of twenty-two trips there. Every encounter I’ve had in Japan has been beautiful. But the most precious of all was, when my hotel’s restaurant staff, Mdm Nakajima, of her own accord, bought and gave me a breakfast bento gift from outside the hotel, early in the morning of my departure for Singapore, because my departure time was earlier than the opening time of the restaurant. Mdm Nakajima subsequently visited Singapore later that year with her sister.


I have told the story of Mdm Nakajima to thousands of people over the years. And I have worked lovingly and proudly on JFF ever since. It is my honour to collaborate with a country that treats visitors with such considerateness, professionalism, warmth, and perfection.


Now, 2023 is the 40th Anniversary of our longest-running country-themed film festival. Its longevity and popularity bear vivid testimony to the power of Japanese cinema. And to the unparalleled beauty of the human spirit in Japan.

JFF2023 Core Screenings (05 - 15 Oct 2023) @ Shaw Theatres Lido

Panorama Section


Our Panorama section is multitudinous and not simply defined by genres; it covers a wide range of recent releases that provide festival goers the opportunity to catch commercial titles that are hugely successful in Japan, as well as highly-acclaimed independent titles. 


We have programmed unique and fascinating films, such as
A MAN, which was nominated for the Venice Horizons Award at the 79th Venice Film Festival and made a clean sweep at the Japan Academy Awards (Japan's equivalent of the Oscars), and AMIKO (our Programmer's personal favourite), which delves into the intricacies of an adolescent child's emotions and thought processes as she interacts with a society that deems her peculiar, set against an earthy and mesmerising score by Japanese Folk sensation Ichiko Aoba. We have also brought in Nezumikozo Jirokichi, critically-acclaimed animation director Rintaro’s latest animated short after a hiatus of close to 11 years, where he pays homage to director Sadao Yamanaka. We have paired this short with a quirky meta drama Garden Sandbox, which has a novel and inventive way of telling us the story of a fictitious town that evolves into a character that impacts the narration of the film. 


There is a film (or two, or three…) for everyone!

Documentary Vision


Our Documentary Vision section provides insider access to various aspects of Japanese culture. 


In
Bring Min'yo Back, a Japanese band attempts to revitalise a dying branch of Japanese Folk music, with mind-blowing collaborations spanning across continents, opening up a window for us to witness the universality of music. 


Have your nightmares ever been haunted by characters from Ringu, Pulse or Ju-on? In
The J-Horror Virus, we hear personal accounts from pioneers and film critics of the J-Horror film movement about the genesis of these iconic films, how they managed to terrify audiences, and how influential and internationally widespread this particular movement became. 


Is there a place for physical books in today’s age? The pandemic expedited how we consume data and information digitally, and led to the demise of many small businesses across all industries.
Polan is a heartfelt and exceptional documentary which distances itself from the subject to provide an authentic recollection of a vintage bookshop and its bittersweet final days.


The documentaries in this section come from deeply personal places, and you are bound to walk away feeling a deeper connection to the subject matter and filmmakers.


Restored Classics


Our Restored Classics section pays homage to 2 pioneer Japanese directors. We are extremely proud to present LUPIN THE 3rd, THE CASTLE OF CAGILOSTRO, an early work from everyone’s favourite pioneer animator; an iconic and underrated title in his massive oeuvre. 


In commemoration of our 40th year of the Japanese Film Festival in Singapore, we will also have a first-ever
Surprise Screening of another iconic Japanese director’s film. Stay tuned on our socials as we reveal clues to what this surprise title might be, but we will only announce it moments before the actual screening!


Director Masterclasses


We are honoured to have two directors - Mr. Jasper Sharp (director of The J-Horror Virus) and Mr. Lim Kah Wai (director of Your Lovely Smile) to conduct masterclasses for our Singapore audiences. Jasper, a UK director, will explain the J-Horror Phenomenon in UK and Kah Wai, a Malaysian, Osaka-based director will share his independant filmmaking journey in Japan. 


Admission is free. Limited seats. Do register at The J-Horror Virus and Your Lovely Smile film pages.



    Retrospective: Seijun Suzuki (06 - 22 Oct 2023) @ Asian Film Archive (Oldham Theatre)

    On the occasion of 100 years since the birth of singular Japanese director Seijun Suzuki (1923-2017), the Asian Film Archive presents a selection from his vast and colourful filmography. 


    The seven featured films draw attention to two significant points in Suzuki’s career. The first looks at the gritty, rambunctious crime and gangster films he made at the Nikkatsu studios in the 1960s and his collaborations with action star Jo Shishido. The four works selected from this period start from 1963, with the wild and uproarious
    Detective Bureau 2-3: Go to Hell, Bastards! and Youth of the Beast—the latter regarded as his breakthrough work and a key influence on the yakuza genre. 1964’s Gate of Flesh is a harsh, yet visually dynamic post-war drama. Lastly, the outrageous and stylish Branded to Kill (1967), notorious for causing Suzuki’s dismissal from Nikkatsu and subsequent blacklisting by the industry.


    Retrospective: Seijun Suzuki runs from 6-22 October 2023 at Oldham Theatre. This programme is held in conjunction with Japanese Film Festival Singapore, with support from the Japan Foundation.

    The Flower Of Carnage - A Meiko Kaji Double Bill (06 - 22 Oct 2023) @ The Projector

    The Projector’s double bill under JFF 2023 pays homage to the fearless Queen of 70s Japanese Exploitation Cinema, MEIKO KAJI. Her radical combo of elegance with badassery is cinematic legend, setting the blueprint for so many indomitable, strong-willed action heroines we see on the big and small screens today!


    The Flower Of Carnage - A Meiko Kaji Double Bill runs from 6-22 October 2023 at The Projector (Golden Mile Tower: Greenroom). This programme is held in conjunction with Japanese Film Festival Singapore, with support from Toho/Janus.

    In Search of Tomorrow  (Oct to Dec 2023) @ ArtScience Museum

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    In Search of Tomorrow celebrates visions of the future with a lineup of kitsch b-movies, beloved cult classics, and contemporary arthouse films that depict the utopian and dystopian fantasies of what life could be like, on Earth or elsewhere.

     

    In Search of Tomorrow in October to December featuring 5 Japanese movies:

    • Astro Boy (dir. Osamu Tezuka)
    • Tetsuo: The Iron Man (dir. Shinya Tsukamoto)
    • Bullet Ballet (dir. Shinya Tsukamoto)
    • Electric Dragon 80.000V (dir. Gakuryu Ishii)
    • Ghost In The Shell (dir. Mamoru Oshii)

    Singapore Premiere: The Pearl Legacy  (26 Nov 2023) @ Festive Theatre, Our Tampines Hub

    2023 | Japan | Drama | Japanese with English Subtitles | 106 mins | NC-16 (Sex Scenes)


    Harumi, who works at a foreign IT company in Tokyo, receives news that her mother has passed away. She has never forgiven her father, as she believes that he caused her death due to overwork in pearl farming. Because of her feud with and resentment for him, Harumi had no intention of ever returning to her hometown, but a postcard she receives from her mother before the death makes her change her mind. During the wake, with her siblings, a lawyer appears and declares that "from now on, we will protect your father's health and property". A series of events ensues with the search for a legendary hidden pearl worth 600 million yen, and in the resultant turmoil, surprising truths are revealed.

    Japanese Film Festival 2024 Closing @ The Japan Association Auditorium

    - Pokka Coffee Short Film Competition 2023: Award Ceremony

    This year JFF2023, we have Pokka Coffee Short FIlm Competition 2023: Award Ceremony as the closing event. We encourage public audiences to cast a vote for their favourite short film @ https://jff.sg/jff2023-closing by 15 December 2023, 12noon.

     

    Award Ceremony will take place on 20 December 2023 (Wednesday), 2:00 to 4:00pm. It is a free admission event with agenda below:

    • Opening Speeches
    • "Power of A Pause" Message/Special Screening
    • Award Presentation
    • Directors' Forum

     

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